The Two Kinds of Order
Einstein once spoke of the
physicist David Bohm as his successor. Bohm introduced
concepts of Implicate Order and Explicate Order.
Bohm defined explicate order as the order of the physical world. He
defined implicate order as the source of explicate order, and as an underlying whole that physical form constantly
unfolds out from and enfolds back into. Others had constructed related models of two
orders, including Henri Bergson and William Yeats in the early 1900's. Bohm
meant his concepts to replace order and disorder although he was not able to convince other scientists
of this necessity, and Bohm struggled with depression at not being able to convince the scientific community of
the scientific value of his discoveries. In describing Implicate Order Bohm writes:
This order is not to be understood solely in terms of a regular arrangement
of objects (e.g., in rows) or as a regular arrangement of events (e.g.
in a series). Rather, a total order is contained in some implicit
in each region of space and time. Now the word 'implicit' is based on the verb 'to implicate'. This means
'to fold inward' (as multiplication means 'folding many times'). So we
may be led to explore the notion that in some sense each region contains
a total structure 'enfolded' within it.
The two directions of order are probably the most important features of nature that we will ever understand.
There are endless applications of two orders in every field, in physics, biology, geology, politics, and
psychology, just naming the more obvious fields. The theory of two orders generally describes all change,
all patterns, all definitive form, so what if anything could be excluded. As we learn to perceive the
cosmos as one type of order transforming into another, doors of comprehension will open beyond our wildest dreams.
In order to understand how the whole can exist in every part, Bohm became interested in the mechanics of holographic
photography. Using lasers, a holographic image is recorded evenly across the photographic film. Consequently any
region of the film contains information about the whole image, so any small region of the film can recreate the
image, although in poorer resolution than the entire film produces.
Bohm believed all matter is unfolded out of what he eventually described as a holomovement, which meant that
matter could also enfold and so return into the holomovement. Bohm considered quantum mechanics to be a process
of unfolding and enfolding. He imagined the universe as an infinite sea of space and energy out of which matter
could be unfolded, which he called explicating, and enfolded which he called implicating, which, in Bohm’s words,
“together are a flowing, undivided wholeness. Every part of the universe is related to every other part but in
different degrees.” In an interview published in Omni magazine conducted by the physicist F. David Peat and John
Briggs, Bohm explained his concept of enfoldment:
“Everybody has seen an image of enfoldment: You fold
up a sheet of paper, turn it into a small packet, make cuts in it, and then unfold it into a pattern.
The parts that were close in the cuts unfold to be far away. This is like what happens in a hologram.
Enfoldment is really very common in our experience. All the light in this room comes in so that the
entire room is in effect folded into each part. If your eye looks, the light will be then unfolded by
your eye and brain. As you look through a telescope or a camera, the whole universe of space and time
is enfolded into each part, and that is unfolded to the eye. With an old-fashioned television set that's
not adjusted properly, the image enfolds into the screen and then can be unfolded by adjustment.”
The process of unfolding and enfolding suggests a whole exists primarily as a base, and although
Bohm described the whole as being dynamic and in constant motion in most of his writings, in his
later years he began to describe time as occurring within timelessness. In hindsight it appears
that Bohm didn’t focus enough on the timeless nature of patterns. He didn’t recognize consciously
enough that ordinary patterns reveal the implicate order, although in Bohm’s analogies you find the
same type of examples that I use to explain the transition from grouping to symmetry order. One of
Bohm’s favorite analogies spawned from a scientific program he’d seen on a television show. The
program featured a small scientific wonder, where an insoluble drop of dark ink in one process
disappears uniformly into a glycerin, then in the opposite process the drop reappears.
About the time I was looking into these questions,
a BBC science program showed a device that illustrates these things very well. It consists of
two concentric glass cylinders. Between them is a viscous fluid, such as glycerin. If a drop of
insoluble ink is placed in the glycerin and the outer cylinder is turned slowly, the drop of dye
will be drawn out into a thread. Eventually the thread gets so diffused it cannot be seen. At that
moment there seems to be no order present at all. Yet if you slowly turn the cylinder backward, the
glycerin draws back into its original form, and suddenly the ink drop is visible again. The ink had
been enfolded into the glycerin, and it was unfolded again by the reverse turning.
Of course we can accomplish this
same transformation less dramatically with any container filled with water and oil, and simply shake the container until
the two liquids mix together evenly. Then at rest electrostatic cohesion and gravity will rather quickly re-separate the
liquids into two pure groups. What these analogies of mixing and separation attempt to convey is that material form can
integrate and disappear into a whole. This suggests an equivalency between matter and that invisible background, a background
which we know simply to be space. All the empty space in the universe, which we naturally assume to be less than the physical
matter we are able to interact with, is actually more full of content than the surface of form we see due to light waves. What
we imagine to be empty space contains the whole of everything. It is a considerably different way of looking at the world, but
the message is that matter is constantly unfolding out of and refolding into a larger balanced whole. Bohm writes:
Classical physics says that reality is actually little particles that separate the world into its independent elements. Now I'm proposing the reverse, that the fundamental reality is the enfoldment and unfoldment, and these particles are abstractions from that. We could picture the electron not as a particle that exists continuously but as something coming in and going out and then coming in again. If these various condensations are close together, they approximate a track. The electron itself can never be separated from the whole of space, which is its ground.
In the book, The
Holographic Universe the writer Michael Talbot integrated Bohm’s vision of two kinds of order with the
work of Karl Pribram, a famed neurophysiologist who also became interested in holographic photography as a
means of explaining the mysteries of human memory. Talbot also suggests the whole universe is a hologram.
Just as every portion of the hologram contains the image of the whole, every portion of the universe enfolds the whole. This means that if we knew how to access it we could find the Andromeda galaxy in the thumbnail of your left hand. We could also find Cleopatra meeting Caesar for the first time, for in principle the whole past and implications for the whole future are also enfolded in each small region of space and time. Every cell in our body enfolds the entire cosmos. So does every leaf, every raindrop, every dust mote…
mainstream of other scientists didn’t catch on to Bohm’s vision of two kinds of order, and he struggled with
despair and depression at not being able to convince the scientific community of the scientific value of an
enfolded order, a struggle I inherited. Without knowing I was dramatically influenced, I encountered Bohm’s
concept of implicate order many years before I discovered and learned to present my own system of seeing the
same thing, the same principles, the same process in nature. Then rediscovering and studying Bohm’s work in
greater detail, I now realize my practical grouping order and symmetry order concepts are simply an extension
of Bohm’s concepts. I now believe the only reason Bohm’s visionary accomplishments were kept from having greater
impact is that he was led more to challenge how quantum mechanics was being interpreted in his day rather than
led to explore how the terms order and disorder are defined, as well as the second law’s usage of the terms order
and disorder. Also I think he tried to convince the wrong audience. Judging from my own experiences I am sure it
would have taken years for even a fully convincing challenge to sink in to the sometimes dull collective mind of
science, which grounded in the present dry paradigm tends to shy away from profound concepts altogether.
One of the most important
lessons I convey perhaps uniquely from Bohm, is that symmetry order is an entirely separate component of the
patterns we find in nature, so that we can see the unfolding and enfolding process as a governing system, visible
not only within the general evolution of time, but also present within each individual, and within humanity as a
whole. I expect anyone who reads this book will eventually be able to observe any pattern in their world and
recognize the two components of order not only contributing to the appearance of order, but also the appearance
of what we think of as disorder.
The Absence of One Order Creates the Other
Both the Irish poet William Yeats, who received the Nobel Prize for literature in 1923, and the French philosopher
Henri Bergson who received a Nobel in literature in 1927, wrote of two fundamental orders at work in the
evolutionary process of the universe. Although the nature of the orders was not described as clearly as Bohm managed
with his implicate and explicate concepts, both men recognized the exclusive quality of the two orders more clearly
than Bohm. In his book entitled Creative Evolution Bergson writes:
The two orders are not organized into a linear hierarchy or a
graduated spectrum in which one is on the top, the other beneath it, and absolute 'disorder' constituting
a third alternative, at the very bottom of the hierarchy - 'one nature in graded powers', to use Plotinus's
words. Instead, the 'absence of one of the two orders, consists in the presence of the other'.
Obviously Bergson somehow recognized how any decrease in the measure of one type of order, increases the order of
the other type. This can be recognized if we consider a breakdown in the purity of each order. Suppose we switch
two oppositely colored squares on a checkerboard. The inconsistency in the symmetrical arrangement stands out like
a beacon. The rhythmic order of symmetrical pattern has been broken. The symmetry order is clearly diminished. And
yet the fusing of three colored squares into one larger block is an increase in a type of order. Grouping order has
increased. The greater measure of symmetry order isn’t suddenly destroyed, we are only one step away from an
unbroken perfect lattice, it is merely diminished.
Alternatively, at the other end of order, if we group together the game pieces by colors on each side of the
board, and mistakenly displace one colored piece with another, the diminished purity of the grouping order
stands out vividly here also. The purity of each of the two groups is contaminated, yet note here how this is
a first move toward increased symmetry order. There isn’t actually an increase in any general form of disorder.
Each of these first steps away from an unbroken high order is both an increase of an order and a decrease of an
order. Hence the order of one type is the disorder of the other.
Anywhere that a substance gravitates together, grouping order has increased while symmetry order has decreased.
Anyplace where things spread more evenly throughout any frame of reference, symmetry order has increased while
grouping order has decreased. Generally, one type of order cannot increase without decreasing the other. Each
order has its own direction. Each order is unique. And all there is throughout the universe is order.
We observe order in the universe and are amiss at why it exists over disorder. We typically imagine that our corner
of the universe must be a tiny island of order within a greater chaos. The term order within chaos is common. However,
once we learn to appreciate the two kinds of order, existentially speaking, it seems more apt to say that chaos exists
within order. If the disorder of symmetry is inversely the order of grouping, and if every pattern consists of a
combination of two orders, then all there can be is order. In the poetic words of the photographer Catherine Ames,
“the order and chaos are one.”
After achieving his Nobel in 1923 the poet William Yeats came to portray the transformation from one order to the
other with what he called gyres. These images relate to the double wedge shape of pattern space, but they more
accurately portray the measure or intensity of one order compared to the other throughout the entire span of what
is possible. They represent how the two orders combine and so become two parts of the same description.
7.3: Different Gyres described by Yeats.
The two cones effectively
represent the integration and inseparability of grouping and symmetry orders. It is said that Yeats discovered the
images through the mystical experience of his wife Georgie Hyde-Lee, who demonstrated a gift for automatic writing.
In various ways Yeats diagrammed two cones or wedges embedded together. Yeats notes that the information his wife
acquires mystically seems to come from a common dream they and a few others shared. Noteworthy, it is well known that
Yeats studied the writings of Emanuel Swedenborg, a Swedish scientist in his time turned religious leader, who wrote,
“All physical reality, the universe as a whole, every solar system, every atom, is a double cone; where there are
‘two poles one opposite the other, these two poles have the form of cones.”
The second law is meant to describe the flow of patterns and processes occurring in nature. It attempts to
describe the fundamental way that the physical universe changes as time passes, stating that the overall
entropy of a system; entropy being the measure of spent energy, always increases with time, which is true,
there is no way to get around that law of nature, but the second law also makes a statement which erroneously
assumes a connection between a loss of usable energy and an increase in disorder. And we find now that this part
of the second law cannot be true, primarily because there is no such thing as general disorder. Symmetry order
is the disorder of grouping order, and grouping order is the disorder of symmetry order. If the order of one is
the disorder of the other, then there is no room for a general disorder. All there is in nature is ordered
patterns of one type or the other, and combinations thereof.
We envision order and chaos as being opposed, and chaos theorists speak of an order at the edge of chaos,
but neither accurately represents order as it exists in nature. The order that is so visible throughout
our universe springs from combinations of imbalance and balance. Whether we speak of the even distribution
of galaxies, or gaseous particles that disperse evenly throughout available space, we find what is happening
is that time is evolving away from the most extreme state of imbalance to the most extreme state of balance.
When one learns to see this transition, it suddenly is visible in everything from red hot flowing materials
that solidify into rock or steel, to water vapor which crystallize into a snowflake.
My own early diagram, meaning to show the opposition and exclusivity of two orders was simply of a
square split in half by opposite corners, and likewise was meant to show that the extreme of one
order type is the disorder of the other.
7.4: Order gradients indicating the absence of a general
disorder. The order of one type is the disorder of the
Symmetry order is responsible
for all the qualities of, and preferences for, balance in the world, from spiral galaxies to the dissipation of gases,
even perhaps to the human yearning for peace. In regards to the Universe as a whole, the ultimate singularity, and the
ultimate example of perfect symmetry or sameness, is plain old empty space. The single property of the whole universe,
from which everything is made, and which everything is transforming back into, is just space, although in learning this,
it is so important to understand that things are less than, not more than space. The entire world of material things is
a fragment of the whole. Everything we know as real is less than the space it exists in, and not more than empty space
or nothing. That low opinion we have of nothingness is all wrong. What we think is nothing is perfect symmetry. Presently
we have it all backwards.
Physicists and cosmologists have long questioned whether a state of perfect symmetry ever existed in the past, we just
haven't ever considered it as a possible future. We have been convinced instead, because we observe a measure of
randomness that the order of the universe is simply winding down. But if anything it is winding up! Everything is
enfolding together. The final state of zero which the universe has been evolving toward since the very dawn of time
is simply the native state of the Universe. It is the timeless whole. It is truly everything forever. And we aren’t
really becoming, we are already there. The universe we know, the past, the future, and the infinity of other universes,
all exist simultaneously. We are inside that whole. We are a part of the native state of zero, part of the eternal
essay is an extension of Bohm's concepts into a more practical model of the two orders, in which the two orders
are seen to exist physically in the construction of ordinary patterns. This development has led to using new terms,
although the underlying natures of definitive form and enfoldment are visibly the same that David Bohm was
Opposing Types of Order
l The Beginning of Timelessness
Ch1 Time is Imaginary
Why the Universe Exists Timelessly
Ch3 The Great
Ch4 Describing the Realm of All Possibilities
Ch5 Caught Between Two Kinds of Order
II The Governing Dynamics
Ch6 Natural Order
Ch7 Enfolded Symmetry
Ch9 Something from Nothing?
Part III The Comprehensibility Of All
10.1 A Branching Out of Many-Worlds
10.2 The Multiverse
10.3 Many Realms
Ch11 Time is a Direction in Space
Part IV The Great Cosmic
Ch12 The Shape of All Conceivables
Everything Moves Towards Balance
Ch16 The Big Bloom
V The Second Law is Too Simple
Ch17 Away from Order toward Order
Ch18 Multiple Arrows of Time
Matter of Space
Ch20 Built in From the Beginning
Part VI Cosmic Psyche
Ch22 Proto and Elea
Ch23 Our Basic Natures
Ch24 Cosmic Lovers
Ch25 Becoming Aware
Ch26 The White World
Ch27 God, Infinity, and Nature As One
page last updated May 20th, 2007